. . .
I thought if
I inventoried home it would be broad
my eyes fling open
like a doll´s
to the virtual space that suddenly
resembles the walls
the most interesting artists are large;
monsters
while the people we know are
masses of flowers
. . .

Eileen Myles, "Home", Sorry, Tree (Seattle/New York: Wave Books, 2007) 40.

Photo: Edoardo Pasero